A gift for you (if you like to read screenplays)


Hey, it's Naomi with your weekly screenwriting memo! Today's topic...

A gift for you (if you like to read screenplays)

The Black List is announced every year about this time, and for the past several years I've shared my top picks with you here. You know, just in case you're looking for something good to read during your holiday down time. 😊

If you're not already familiar, the Black List is an annual list of the industry's favorite (as-yet) unproduced screenplays. Getting familiar with the Black List scripts can give you a sense of current industry preferences and standards, in terms of quality and style.

But all that aside, I really just share these scripts with you because they're good reads. So, here are a few I enjoyed and that I thought might interest you too:

  1. Alignment, written by Natan Dotan

    A board member at a booming AI company wrestles with corporate politics and warped incentives as he tries to prevent his colleagues’ willful ignorance from causing a global catastrophe.

    Highly topical, moderate budget, and a fun, fast read... it's pretty easy to see why this script resulted in a splashy spec sale recently. We love big deals for writers, especially these days. 🎉
  2. Love of Your Life, written by Julia Cox

    Maya – a smart, wry nurse – is swept up in an immersive love, one that sets her life on a trajectory she never would have imagined.

    Your mileage may vary, of course, but this screenplay destroyed me. I mean, big, gulping sobs over my coffee kind of destroyed. Any screenplay that can do that is doing something right.

    And, happily, this was another big spec sale (and bidding war) this year! 🎉
  3. Bloody Mingo, written by Jonathan Easley

    Investigating the crime scene of a potential homicide in the Appalachian mountainside, a deputy encounters a strange mountain community that claims to be haunted by an evil witch that lives in the woods.

    The intersection of detective story and spooky scares is one of my favorite places, and this script delivered what I wanted and kept me guessing. It fits nicely in a category with Longlegs, which was released this year, and I'd be perfectly happy seeing Bloody Mingo on a Friday night.

If these selections aren't your cup of tea (or even if they are), I encourage you to check out the rest of the loglines on this year's Black List. See what catches your eye. If you're so inclined, you can find the screenplays with a quick Google search.

It's a great time to curl up with some good reading!

Until next time,

Naomi

Naomi | Write+Co. for screenwriters

Join the screenwriters who write to me each week saying, "Your columns are so inspiring," "The light came on after reading this," "Great newsletter this week!!! Always seems to be what I need for my writing. It’s like you’re a mind-reader! Thank you!"

Read more from Naomi | Write+Co. for screenwriters

Hey, it's Naomi with your weekly screenwriting memo! Today's topic... Are your story’s stakes falling flat? Tell me if this sounds familiar: Your story is doing everything “right": the plot moves, the scenes build, the characters want things. And yet, something’s missing. It’s technically solid, but still doesn’t land. Readers aren’t connecting. They’re not invested. They may even give the dreaded, "Why do we care?” note. That’s not a plot problem — it’s a stakes problem. 3 ways to keep your...

Hey, it's Naomi with your weekly screenwriting memo! Today's topic... Is your scene description helping or hurting your screenplay? If there’s one thing I know after reading thousands of scripts, it’s this: A well-written screenplay actually reads faster. But most writers don’t realize when their scene description is slowing the story down, and losing readers in the process. Here are 3 signs your scene description is hurting the script: 1. Readers start skimming. Your job is to keep readers...

Hey, it's Naomi with your weekly screenwriting memo! Today's topic... Love at first scene You know that moment. You’re watching a movie or reading a script, and you meet a character who completely hooks you. You don’t know everything about them yet, but you’re in. It’s the way they walk into the room. That one unexpected choice. A single line that makes you think, “Ohhhh… I’d follow this person anywhere.” Now think about the character introductions in your screenplay. Do they deliver that...